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you can always send me anons. you can always come to my inbox and freak out about my character and your feels about them. you can always throwĀ āokay but picture thisā orĀ āthis is my headcanonā asks at me. you can always send asks, even when i donāt ask for them. THAT IS ALWAYS OKAY
Occam's razor except it's Neil's razor in application as to whether or not Neil Cicierega has worked on any given media
Okay don't mind me I'm in the middle of a Crooked Kingdom reread and feel overwhelmingly inclined to rant about Jesper Fahey because this fandom just doesn't give him the treatment he deserves. I'm specifically going to incoherently ramble about the scene in Crooked Kingdom where he, Colm and Wylan are being shot at because I feel like that scene is representative of Jesper's arc - but, before we dive into that, let me contextualise a few things first. Jesper does things for the thrill of it: he thrives off chaos and spontaneity, hence why he "always felt better when people were shooting at him". It's because the sound of gunfire "called the scattered, irascible, permanently seeking part of his mind into focus like nothing else" - and it also provides a distraction from his pain and trauma, because whenever he'd think about it, "everything in him recoiled. Trying not to die was the best possible distraction". Whenever anything to do with his past or his debt is brought up, "his hands returned to his revolvers" because he found himself "longing for the cool, familiar feel of their pearl handles beneath his thumbs". It steadies him as much as it possibly can when he's not in a dangerous situation, momentarily calling his mind into focus, an attempt at distracting himself from his afflictions.
Based off similar instances, the scene in Crooked Kingdom where he, Wylan and Colm are being shot at should have brought him that same satisfaction that any other shooting would. He "should be buzzing from the excitement of the fight. The thrill was still there, fizzing through his blood, but beside it was a cold, unfamiliar sensation that felt like it was draining the joy from him." What makes this situation so different to the others is that he can't ignore his problems and trauma now: it's staring him right in the face. Colm is right there. The thrill of the fight doesn't feel the same because "all he could think was,Ā Da could have been hurt. He could have died." And we know that Jesper's debt would cost Colm the jurda farm Jesper grew up on, forcing him to acknowledge the reality of his problems: with Colm being right there, Jesper just can't ignore his afflictions because all he could think about is how his father would "suffer for his antics". If you ask me, this is so representative of his character arc as a whole.
This is further emphasised by how he's reflecting on the first time he spun Makker's Wheel right before this ambush, its intention being merely "harmless fun", but it ended up evolving into an addiction that "split [his life] like a log into two distinct and uneven pieces: the time before heād stepped up to that wheel and every day since". The rush of a high-stakes situation is the equivalent of the "harmless fun" - it's a thrill that Jesper enjoys feeling, but in reality it's doing much more harm because it's preventing him from acknowledging and facing his pain. And he's indeed in so much pain: there's so much anguish inside of him, but he'd do anything to distract himself from it because the reality is just too painful.
This is where the tables come in: later in Crooked Kingdom, when the crew are being ambushed by the Khergud, Jesper "could feel the pull of East Stave" because he didn't have anything else to occupy his mind with. Then, the minute he thinks about facing his father, "the need to be at the tables was overwhelming" because he desperately needs to distract himself from the reality of his circumstances: "since Kaz hadn't obliged him with something to shoot at, Jesper needed a pair of dice and long odds to clear his mind". He can't use the ambush as a distraction, so the tables it is. As Inej tells him, "they feel like medicine. They soothe you, put you right for a time. But theyāre poison, Jesper. Every time you play, you take another sip." This isn't the first time poison has been used to represent something that is preventing the Crows from healing - we also see it with Matthias, when he tells Brum in Six of Crows, "the life you live, the hate you feel - it's poison. I can drink it no longer". Just like how the exploitation of Matthias' grief and pain as a means of fueling hatred prevented him from healing because it kept exacerbating the anguish within him (he had to stop drinking the poison to do so), Jesper's addiction - and, by extension, the thrill of a high-stakes situation - prevents him from acknowledging the wound inside him and working towards healing it. It gets to the extent where āhe had always thought of himself as lucky⦠what if heād been bluffing this whole time?ā - heās gotten so used to suppressing his pain that he, in a way, loses sense of who he is. His faƧade has distorted his perception of himself. It's not until Colm arrives in the Barrel that Jesper is forced to acknowledge just how deep that wound is and how much it's festering - just like how he couldn't even feel the thrill of a fight properly because of the possibility of his father getting hurt.
That scene is one of many cracks that start to form as Jesper continues to bottle up all of this pain and trauma, until he finally breaks when Wylan proposes that he's such a good shot because being a Fabrikator allows him to direct the metal of the bullets. Jesper protests, asking Wylan why he can't "just let things be easy" - why can't he just let him keep ignoring his problems, when it's so much easier than facing them? But Wylan stands his ground, explaining that "theyāreĀ notĀ easy... You keep pretending everything is okay. You move on to the next fight or the next party. What are you afraid is going to happen if you stop?" This is why Matthias calls Jesper āangry and frightenedā - heās afraid of stopping, because he knows stopping means that heās forced to face the reality that heās deeply wounded. This is when he finally breaks under the burden of his own pain, under the reality that he can't keep ignoring it anymore - hence why he chooses to put his share of the reward in Colm's name because, as he explains to Kaz, "I donāt think Iām ready for that kind of money just yet". For the first time, he's acknowledging his problems and working towards fixing them, no matter how much time it takes (because trauma and addiction don't just disappear overnight).
n e ways this ended up being significantly longer than anticipated but this is what happens when I start analysing these books: it snowballs out of control and suddenly I canāt shut up.
Hmm let's see?...yes
hrny thought of the day: is tomdaya your fav threeway fantasy yes or no
Hi I'm bored feel free to ask me stuff

Ask any and all questions you would like!
why would you like media that is good if you can like media that is bad instead and pace around your room like an insane person thinking about What If It Was Good
If thereās one thing Iāll do itās consume sapphic media. Please give me recommendations šš
Reblog if you write fic and people can inbox you random-ass questions about your stories, itemized number lists be damned.
Anybody want a drabble?
im literally craving to post smth but my brain can't think of anything so somebody give me an idea so I can think of something.š but seriously any character that you think i'll do, I have a old post on who I write for but I think it needs to be updated so ven if u don't see anyone still ask, thanks! (drink water its hot as he'll were in livingā¤)
Hey Tumblr folks. Lets play a game. ask me LITERALLY ANYTHING. SEND ANY ASKS. I NEED ATTENTION.IM BORED. DO SOMETHING PLEASEE ILL TRY AND ANSWER ITT
COULD SOMEBODY GIVE GOOD TMA FICS PLEASE IM GOING INSANE