Can You Imagine If In Sinsmas Fizz Has A Loona Slip Up Moment Where He Says To Mammon Shut Up Dad!! And

Can you imagine if in sinsmas Fizz has a Loona slip up moment where he says to mammon “shut up dad!!” And then he screams in horror at himself while Mammon is like 🤩 son!!

I doubt the Sins will actually be in the episode, but that would be fucking hilarious!

On the topic of Mam wanting to be a dad, here's something I realized:

Charlie is in her early-to-mid twenties, Blitz and Fizz are in their mid-to-late thirties, they're around 15 in the flashback at the beginning of the mid-season special, placing it around 20 years ago. This means that the first confirmed instance of Mammon wanting a kid happened around the time Charlie was born. Conclusion: He's a loving uncle, your honor. :)

Regarding Rick in the cult, something that might be interesting in that context is a cut scene Pelo mentioned for SM4 -- there was supposed to be a scene before Skid and Pump leave the theater and ask Radford where the doll went, with Rick being completely absent

Now obviously he left because he quit, but it's convenient he's absent when the two come in to ask about a possessed doll

Oh my Eyes, thanks for this info! I vaguely remember seeing something about that scene but forgot Rick wasn't in it. Another example of Rick's presence within scenes being weirdly specific.

Really curios to see him in SM6, especially since we'll likely get his first on-screen interaction with John and Jack. I think the way he interacts with them will have a major impact on how likely this theory is.

Any thoughts on the revised version in comparison to the version we discussed, @pinkandpurple360?

I'd really appreciate any feedback. :)

The part of HRM I've had the most fun developing

There's a particular part of Helluva Rewritten Musical that I've been thinking about more than any other. That being the sequence that focuses on Stella and Octavia's relationship and personal issues while their hiding out in Wrath.

Some of this I've only previously shared with @pinkandpurple360 , whose insights about HB's writing and general willingness to help me develop these ideas has been invaluable to HRM as a whole, and especially to this scene.

Bare in mind this is just an early outline, though I plan to keep the specific lines of dialogue as I'm really proud of it.

The sequence begins with Stella, Octavia and Striker entering a hideout Striker had prepared for the Goetia women while they were in hiding with him as their bodyguard. Towards the back of the stage there's a door slightly to the left and a couch slightly to the right.

Stella is very anxious as she recognized Blitz in an earlier scene and decides that for the remainder of their "exile" that she and Via have to disguise themselves as lower rank hellborns, something Octavia says she doesn't know how to do.

This revelation infuriates Stella as she lashes out in indignation that Via can't manifest a disguise, she says she'll explain it to Via later but that in the meantime, Striker has to find a succubus and off them for their asmodean crystal.

Striker nods and exits the scene.

Here Octavia reveals that she tried to learn on her own but couldn't get the hang of it and, due to his self-absorbed and neglectful nature, Stolas never actually helped her manifest a disguise, something Stella herself only learnt by watching her brother practice, as typically only a Goetia's heir is taught the skill.

Stella yells at Via that she needs a moment to collect her thoughts and that they'll back to the disguise talk later.

Stella then goes into another room in the hideout, something depicted with Stella walking through the door at the back of the stage as Via exits stage right, then Stella re-enters through the same door, representing her entering another room and the scene changing.

Here the show arrives at Stella's solo number, wherein she vents her frustration that she's never been listened to despite being a noble, during the song she comes to the realization she isn't frustrated that she hasn't been listened to, but that she's never had meaningful agency over what matters to her (her status, the respect of the Ars Goetia, etc...), except for her relationship with Via.

I've yet to come up with any satisfactory titles for Stella's song, so any suggestions would be greatly appreciated.

After the song ends Stella decides that she has to smooth things over with Via. The scene changes in the same way as before, this time, while Stella is behind the door Via enters stage right, sitting down on the couch, frustrated trying to manifest a disguise. Her attempts are represented by brief moments of purple lighting illuminating her corner of the stage, that's when Stella enters and sit down next to her. The lights only illuminate there half of the stage.

The two talk about the frustration they've been suppressing for as long as they've been living with Stolas, which unfortunately for Via, includes her whole life up to that point, she also expresses anger at her mother and how distant she's been during the affair drama. This gets Stella emotional and prompts this exchange between them:

Stella: I just hope you can understand, Dear. All I've ever had is my place in the world, and now-now I've lost my own and cost you yours. * Stella rests her head in one of her hands as the other stays between her and Via on the couch* What could I ever have now? *Stella's voice is shaky and she clearly feels she's lost everything, she's on the verge of tears*

There's a moment of silence between the two

Octavia: *Takes hold of Stella's free hand and gently moves it over her chest* A place in my heart, mom. You'll always have that. *She lets go of her mother's hand but Stella holds in there for a moment before she slowly pulls it back*

Octavia starts leaning in for a hug but Stella quickly hugs her first, Via is surprised but than happy to finally see her mom feel something positive again.

The lights over the other half of the stage light up showing Striker holding the crystal he was sent to get, he's seen at least part of their exchange, and though he tries to hide it, has obviously been emotionally impacted by it himself.

Striker: I-uh-I ha- *His voice is noticeably warbly before he clears his throat* I have the crystal, ma'am. *He holds it up and pauses for a moment while processing the emotions brought on from seeing such a loving moment from people he'd dismissed as emotionally vacant and vapid husks up until that point* Jus' thought ya should know.

Stella thanks him but also makes a comment about how Via likely won't be using it very long. She than asks Via to remind her of what part of the disguise spell she was having trouble with.

The stage goes dark as everyone and everything is prepared for the next scene.

And that's where the scene stands for now. Really hope someone enjoys reading this as much as I did writing it, there's more HRM to come so keep your eyes peeled! And remember that I'm accepting asks about the project!

It would've been great if Mam actually sang a song that's clearly following the template of Ozzie and Bee's songs. BUT immediately after that we see Mammon backstage, lamenting that the formulaic dribble was more successful than any song he was actually passionate about writing and preforming.

They had a perfect chance to explore the innate complexities of a character who's the manifestation of opportunistic behavior, something that shines through the writing despite Vivienne going out of her way to make Mam seem one-dimensional. He's such a great character that even this show's writing can't botch him too bad.

But why try something that ambitious and thought provoking when you could just make him a typical "fat and sleazy agent/producer who mistreats the talent under him"?

The two biggest songs from Mammons is two girls saying bitch over and over and the other is a guy saying fuck over and over

This really is a show for edgy teens…

Golden Goose (Mammon x Stella) Headcanons

You can see my first batch of thoughts for these two here.

This particular batch is quite general and will have some family stuff and how the relationship effects those around the lovely couple.

Mammon is, ironically, more of a night owl than Stella and she often falls asleep first.

Before they got together, Mam would usually sleep with a large pillow in his arms for slight emotional comfort. Stella's presence comforts him far more, calling back to the last one, though it still takes him a bit to nod off it's still quicker than before.

Mam always brags about Stella to the other Sins, especially Ozzie. Even her smallest achievement is something Mammon cherishes as much as possible.

Speaking of Ozzie, the first time he talked to Mammon after he started dating Stella, he made a crack at Mammon going blind to a gold-digger over her own "assets". Before he could properly register it, Mam had him pinned to the floor with a hand tightening around his neck, Ozz immediately took his joke back. It was then that he realized that the seemingly impossible happened, Mammon was in a loving relationship.

Expanding on the concept of Stella sating her curiosity about "peasant" things, she tries to play a fighting game with Via and struggles. Via tells her not to worry about it, but the lose activates Stella's competitive nature and she starts practicing in her free time (Something Mammon makes sure she has plenty of) . She absolutely demolishes both Mam and Via at the next family game night. And that was how Octavia learned how quick of a learner her mother is.

This one was originally an ask for @pinkandpurple360 but it seemingly went the way of HB's original premise: While he got to see Charlie grow up and now has a daughter in Octavia, Mammon wishes deep down that he could raise a child of his own blood. It's not that he doesn't love Charlie and Via, he just can't help but feel he's missing something he wants. He considers asking Stella about having another kid, but knows that she was forced to have Via. This makes him confront the dilemma of pursuing his wish or not reawakening the trauma of the woman he loves. This idea definitely deserves more exploration, maybe in a fic.

After Stella and Mammon get hitched, people returning their Robofizz becomes a far rarer phenomenon, mostly because word gets out that Via personally "deactivates" any returned or recalled Fizzbots, who start going above and beyond to please their owners to avoid the princess' coulrophobia-fueled fury.

Hi, I'm part of a group who tries to warn people who like and/or reblog from a reposter in the helluva boss fandom called remtix. This person is stealing arts and post them without any credits and sometimes even edit the illus to hide the watermark. Please remove your like if possible, the fewer reblogs and likes they have, the better it will help the artists to avoid their works to be more spread and to report them. Thanks!

Already aware of that situation, A for effort, keep it up.