@queen0fm0nsterz , You Made Me Imagine Rascal Reading An Arcane Tome In Her Favorite Armchair While Using

@queen0fm0nsterz , you made me imagine Rascal reading an arcane tome in her favorite armchair while using her black magic to float individual baked beans out of the can and into her mouth. The worst part is that that's exactly the kind of thing I can imagine her doing.

Also, when you think about it, the secret compartment with the bottle in the piano room just amounts to Rascal's keyboard-smash activated emergency liquor stash.

Easy, Mammon. Fizz has a very simple design with a complex outfit, while Mam has more complexity to his design as well as his outfit, though Fizz's is more varied. Of course Mammon can pull off a more complex look, it ads to what's there, Fizz's version of Mam's suit doesn't ad enough to be visually satisfying.

I know you were probably expecting a joke answer, and that's what I was gonna do at first, but this made me realize that Mam's design is even better and more beautiful than I already knew it to be.

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Outfit swap :]

[This made me realize they really do look similar and have very similar outfits

I refused to change their iconic hats I really tried and I hated it they looked so fucking goofy 💀❗️‼️]

That and Stella and Mammon getting together, Mam and Via's love and support giving Stella the confidence to take Stol-ass to task. He, of course, can't make any legitimate counterpoints and loses everything.

I can think of no better punishment for a scumbag who lords his power over others while painting himself as powerless, than for two of his victims to transcend him in status and leave him genuinely powerless to avoid the consequences of his own shitty actions.

For me Mammons mid season musical special is the peak of the show and the finale for me. After this point it’s all downhill. I like to think Ozzie gifts Blitzø a crystal offscreen and sets him free.

The end

O yeah I know it's been a couple months but since I reblogged the post again:

0, 1, and 9 for Kevin

3, 5, and 8 for Roy

Kevin

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0- The background changes for his nervous breakdowns, art style shifts are always a pleasant surprise to me, especially when their associated with a specific character.

1- It's simple but effective. He manages to have the vibe of someone who (when Skid and Pump aren't around) generally enjoys his job without really being passionate about it. And I just plain love his little floof.

9- This poor bastard needs someone in his life and given who he's usually shipped with, I'd say their pretty good. The only one I take issue with is him and Lila since Kevin feels like a guy in his mid twenties, roughly ten years younger than Lila.

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Roy (thank you so much for asking about him, I have so much brainrot of him)

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3- The scene with his parents and him then giving the candy to Rob for his sister. It just does so much for all the characters and is the first major scene for Roy's arc, it's also more wholesome than a lot of the "individual" scene endings in both TT and past episodes.

5- Like Pump, he has some residual effects left over from his encounter with Eyes making him sensitive to supernatural energy. We might see this in a scene where Carmen and Richard come home from a "late meeting".

8- Roy's sensitive about his weight but in a very complex way. He was picked on for it when he was little, but Carmen would always console him, having been a heavier kid herself. The only issue is the same assurances also came from *you know who*, which left Roy feeling very conflicted. If someone makes a dig at him over it he would usually stand up for himself, but for a while after The Stars he would just kind of glaze over while Ross and Robert whooped a bitch.

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Happy to see this game resurrecting.

My favorite moment with him - Easily his encounter with the Dexter Fella, it was hysterical, had a good reference to the original Child's Play and naturally fit into the plot. The punch sound effect still lives in my brain.

At some point, we have to wonder if Viv knows that she's got an inherently unlikeable character on her hands

Why else would she go out of her way to make everyone else look bad?

Via, Stella, Mammon, Hell- even Blitz when he's not playing to Stolas' tune.

I started being apathetic towards Stolas when he was kidnapped in Western energy, given how hard they were pushing him, I knew Stolas wasn't going to be seriously hurt or killed.

If there's one criticism about the show Viv knows is valid, it's that Stolas should've stayed a villain.

So many other characters and arcs are sacrificed to try to salvage his slapdash reimagining as an awkward, repressed nerd.

As a writer, I know it can be difficult to admit an idea won't work, but those are the experiences that matter and that you can't improve without. I've had to part with some really promising ideas, simply because they didn't work for the project. But the effort Viv puts in to convince her viewers that nothing's wrong with Stolitz is baffling and, frankly, pathetic.

The Circus was what made me realize that she'd gone off the deep end. Western Energy holds the record for the fastest a piece of media has pissed me off, Stolas making excuses for his shitty actions felt too real, in the worst way possible.