spreadingawarenessandlove - 🌼Charlie!🌼
🌼Charlie!🌼

Interests rn: Gravity Falls~DR/UT~Sander Sides~Please DNI of you are a: Homoph0bic, Ableist, Transph0bic, Pro/Con/Dark$h!ppers, z00phile, Racist, L0li/Sh0tac0n fan, 20+ of age, Pedophile, pro in$ect, pro r@pe, Wilbur soot/Georgenotfound/Dream/Punz supporter, etc etc. You people disgust me. Please go see a therapist. I know you can do better than this.

141 posts

Spreadingawarenessandlove - 🌼Charlie!🌼

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More Posts from Spreadingawarenessandlove

So talking of finales penned by spn writers.

One of my fav comics the last few years has been Spider-Man/Deadpool, written by our very own Robbie Thompson.

Obviously, Deadpool is a character I was always gonna be fond of, since his fourth-wall breaking power / chatacter trait makes him all about the meta, and metafiction is My Jam.

Spider-Man/Deadpool has the additional fun of being about Wade and Peter's relationship specifically, which is just fun and adorable any which way, but the series also makes constant nods to the idea of them as a romantic couple (the title IS a LITERAL REFERENCE to slash fic/shipping). Never in a baity way either. The writing celebrates the idea of Spider-Man/Deadpool without ever teasing the idea it might actually happen. It's mostly Wade explicitly referencing them as a slash pairing in his various fourth-wall breaking speeches, while in the 'reality' of the universe the writing is pretty clear on the fact Peter only thinks of Wade platonically (or occasionally antagonistically :p), while Wade genuinely has an explicit romantic crush, but overall just simply respects and cares for Spider-Man as a person and primarily wants to be and have him as a friend (tho there's absolutely, deliberate, space left in the writing to imagine/fanfic a mutual romance between if you want).

(ASIDE: PETER PARKER IS NOT A KID IN THIS CURRENT VERSION OF MARVEL CANON HE IS 100% AN OF AGE ADULT, like he is in the Spiderverse film - in case anyone was freaking out)

So yeah, that's all fun and sweet and completely catering to my interests.

One of the big, big things about the characters and their relationship, though, is the fact that WADE DOES NOT KNOW SPIDER-MAN'S IDENTITY. And this quickly became one of, if not THE, things at the heart of their evolving friendship/relationship. The closer they get, the more and more you WANT Wade to find out or, better, for Peter to TELL HIM. Because you want them to reach that place of love and trust where they each know intimate things about each other, where Peter cares about and knows he can trust Wade enough to share that vulnerable truth about himself.

So, Peter telling Wade his secret identity - that's, basically, the ship/relationship endgame everyone is rooting for.

SO.

In the *cries* final storyline of the series, this whole epic Thing happens, that I won't explain cos it'll take too long. But basically, the world appears to be ending and in that context of dire and angsty straits - Peter reveals his identity to Wade! *insert Deadpool movie shock gif*

Now closer than ever, they team up with a rag tag collection of other characters to take on the Big Bad and, long story short, they discover the whole epic end of the world Thing has been a fake reality created by the real villain of the piece -

THE WRITER, aka Robbie himself!

Due a series of implausible comic book events they are able to confront and defeat him and he offers this in his defence -

So Talking Of Finales Penned By Spn Writers.

and I just -

<3

aw Robbie

your supervillain origin story was... WANTING FICTIONAL CHARACTERS AND THEIR RELATIONSHIPS TO GROW?

(#relatable)

When I first read this (which was, oh, back near the very beginning of spn S15) I thought

a) amusing that an ex-spn writer is, like spn itself, writing a meta story in which the writer is the villain

b) it's funny how spn's villain writer and Robbie's villain writer both harm/manipulate their characters for the exact opposite reasons - Chuck wants to prevent the characters from developing, comic!Robbie wants to force them TO develop

(and c) I wonder if this lament over characters not being allowed to grow, and the fact that wanting to change that associates Robbie with villainy, in any way connects to... other writing jobs he may have had... before the comic...)

The tragedy, tho, is that after his defeat, as Spider-Man and Deadpool are locking comic!Robbie away, he tells them his capture doesn't matter because in the end HE WON, because Wade now knows Spider-Man's identity!!

To which we end with this -

So Talking Of Finales Penned By Spn Writers.

The growth Robbie wanted was denied!

*sad face*

(I forget the in-universe explanation, if there was an explicit one - either defeating comic!Robbie and his fake world caused all memory/experience if that world to be lost/destroyed... or there was genuinely no real explanation and that in itself was a meta nod to how comic book narrative is constantly dropping/discarding/ignoring/retconning plot points in order to maintain the wider status quo of the comic universe narrative)

AND YET - while the biggest growth of learning Peter's identity was denied (presumably because, as noted above, wider comic book canon requires/insists both characters and their relationship remain in a specific, static, status quo - so the industry can keep churning out multiple comics with them without necessarily having to bother with the extra time/hassel of researching specifics of continuity - because, money), as Peter and Wade's further discussion points out, SOME development HAS happened at least. Wade has grown more moral/heroic in how he doesn't immediately kill his enemies. And Peter has come to care deeply enough about Wade to be proud of him for this and tell him so. AND they walk away together side by side, their friendship cemented.

So bottom line - the story ends. And it's not in the BEST way. It denies the readers and the characters (and the writer!) the fulfilment of that key endgame plot point.

And YET.

It manages to still be a funny, heartwarming and ultimately SATISFYING end. One that, tongue in cheek, lampshades the development the rest of the story has, in many ways, been building up to and, using metafictional tricks, tells readers in a way that is funny, entertaining and also feels somewhat apologetic, that it simply wasn't a plot the creatives involved were able to give. But offers SOME growth at least, and leaves things open enough for readers to imagine the characters are poised for more in the near future (...although due to the nature of comics that may well have been jossed by other comic book runs at this point - I haven't read any that include the characters since this title ended).

WHY am I making a longass post about this you ask?

Well

a) because the comic is great and I think more people should read it, consider this a recommend (tho sorry for spoilers!)

b) ...just ...wanted to big up Robbie Thompson for a bit. A++ Robbie, way to land an ending, both in fiction and meta, kudos to you, nice to be reminded that it can be done!

(also in case by some miracle anyone at Marvel is reading this - I said the ending was satisfying, but that doesn't mean I WOULDN'T SPEND GOOD MONEY ON A REVIVAL OF THIS TITLE IN A HEARTBEAT! just because I'm ok with the last comic being the end doesn't mean I don't WANT MORE WITH A BURNING PASSION why must you cancel all my favs?? ...*coughs* so, yes, thank you any Marvel execs for your time...)


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List of myths about Papyrus

This is not all myths, but the most popular. I do not want to say obvious things on bad english, so I will be as brief as possible. Fanon: Doesn’t understand sarcasm and doesn’t know how to use it. Canon: 

image
image

Keep reading


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Please read these. You will never know when this information will be needed in your life. And it always better to be safe than sorry.

I love you 🫂

Suicidal thoughts - How to support someone
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5 Things NOT to say to someone who is suicidal | Choices Psychotherapy
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Learning what to say to someone who is suicidal and how to respond instead is an important step in helping others. We all want to do the rig

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Like, guys, who gives a shit what people ship?!

Like, as long as it’s not, like, glorifying incest, pedophilia, sexual assault, any forms of abuse (ie emotional, physical, financial, mental, etc.),or actually toxic relationships, whether in the source material or not, then, and I’ll say it again

WHO GIVES A SHIT?!?!

Just let people enjoy themselves and their fandoms please


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fr

if you like and dont reblog i will block you

a drawing of the crying child and fredbear from five nights at freddys. the crying child is a young child with dark, curly hair wearing an oversized black t-shirt with two large grey stripes across the chest. the top of his head is missing, revealing a fleshy bowl with dark red liquid pouring out of it. fredbear is a tall yellow robot bear wearing a top hat and a purple ribbon around his neck, tied in a bow. he is grinning, revealing dried blood and hair crusted to his teeth and mouth. his eyes are completely blue with no whites in them. they are both staring straight at the camera. in bright yellow, around the crying child's head in a halo, are the words 'is it harder to speak when you're holding the machine?' the background is dark, and @lifeintheworldtocome is written in yellow in the bottom left corner. end ID

figured id post this last fnaf art before i succumbed to the csh fixation


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