Hellaverse Striker - Tumblr Posts

I'm pretty sure I'm the first person to directly call this out but, we've actually seen peaks at both of Mammon's forms.

What I'm assuming is his "hidden" form has shorter, more jagged prongs and a weird V shaped pattern on his forehead, I honestly have no idea what that's actually supposed to be, if anyone has any ideas, please share them.

His "true" form, on the other hand is the one teased with the twitter image, having longer and smoother prongs that end in dollar sign tassels, the V pattern is also replaced by a crown pattern. The arms on this design look pretty interesting to me, since they appear almost like they're skeletal and only look thicker due to the sleeves, same for his legs and puffy looking pants. This is why I headcanon him as being more skeleton than shark and that his suit is padded to make his outline bigger. Having said that, his facial features do kind of look like a front facing shark, so the actual shape of his face might be closer to Striker or Chaz than the usual fan design which is more like Fizz.

Most of people love Striker cause he's hot and then there's me who absolutely loves how he becomes more and more insane each episode. It's just that everyone in this fucking serie who can't take anything seriously and he's just there doin his damn job

Striker joker arc when

Decided to rant about Striker's character and why I think he works (Warning: This ended up being massive)

The best analogy about Striker that I can make is that he isn't really a cowboy, but a comic book villain who themes himself around being a cowboy. Now that I've done the meme-y version, allow me to actually explain.

A lot of people seem to overlook that there is a single thread that holds together Striker's personality, and is the root of most of his characterization. And that thread is a need for respect.

Let's look through his appearances and explore how his obsession manifests:

Harvest Moon Festival:

In his first episode, Striker presents himself as a model Wrath imp in order to gain the trust of Millie's family and Blitz. The only person he breaks character around is Moxxie, since he assumes Moxxie's insecurity about not being good enough in the eyes of his in-laws will make him automatically respect someone who they do approve of.

He later breaks character when Blitz catches him, he tries to convince Blitz that they're too good to live their lives around the whims of nobles, he tries to show himself as someone who can get Blitz what he wants, or rather, what Striker thinks Blitz wants, again to seem like someone who's "got it figured out" .

Another note worthy thing is his very professional way of speaking with Stella in both this and the next episode he's in, we'll get back to this later.

Western Energy:

The first point of interest is easy to miss the significance of, when breaking into the Richest Cup he makes it as dramatic as possible, he's trying to show himself as dangerous enough to warrant such cocky recklessness while surrounded by goetic demons.

After he takes Stolas we see his hideout which is full of scavenged western imagery that looks like an ominous lair, but upon closer inspection is actually a meager living arrangement for a deeply troubled demon.

His actual rant to Stolas includes a line about nobles taking everything lower class demons care about, showing WHY respect is important to him, he's never felt that he, or the part of society he belongs to, have been respected, or as he later says, all nobles do is try to talk over them.

Striker torturing Stolas shows how his need for respect is reflected in him being an assassin, he thinks he can get respect through fear, that having the most primal form of authority over someone will make him feel more significant. And this is why Stolas and I.M.P. are his greatest enemies, their irreverence makes them the only targets that don't play his game, that remind him of what he really is, a desperate, fragile, hero in his own mind, willing to do whatever it takes to prove his importance, not to others, but to himself.

Once again, he's begrudgingly cordial towards Stella despite his hatred of royals, in an effort to get even a fleeting acknowledgement of his worth. Showing that his belief that he can play into people's minds to get what he wants extends to his emotional wants as well.

Oops:

Here we see Striker in a much different light, mostly due to his new employer. First off, he's much more open with his frustration and moments of weakness, despite Crimson actually being physically present there and being able to see and hear everything. I think this is because Crim is a rare example of someone Striker doesn't feel he needs respect from. Crimson is, at least in Striker's eyes, an imp who has found moderate success by mimicking the lifestyle of a royal. He might not show it, but Striker probably resents Crimson just as much as, if not more than, he resents Blitz and Fizz, since Crimson has no actual royal support (that we know of).

Speaking of Blitz and Fizz, in his interaction with them in the cage scene we get the most blatant example of Striker thinking that his victimhood as an imp makes his "accomplishments" more worthy of respect, as he completely skirts around the fact he's the only hybrid out of the three, and we also learn he's aware of all this on at least some level when he threatens Fizzarolli for comparing him to a royal due to his arrogance.

And lastly, the climax when he grabs Fizz and the moment when we get the immortal line "Why is it always a sex thing!?", and why is it always a sex thing? Why do the members of IMP and those close to them not fall for his act? Put simply, it's due to trust, no matter how skilled or intimidating he is, Striker is still a loner with no one and nothing to fall back on beside his own skill. In sharp contrast to this the main cast have strong enough bonds that they know someone will oppose him. For example, Striker's attempt at demoralizing Stolas fails because he didn't think Blitz would trust his employees enough to do the saving.

So, yeah, I think Striker currently has a better thematic through line than any other villain in the series and I'm interested in seeing where they take him next. That being said, I feel Crim could be just as great and will probably make a similar post for him after his third episode.

oh my god im so sorry i just read your analysis and i have to ask; have you got any theories on striker's past? ever since s2e6 a common one has been that he was once in a relationship with a royal, and exactly like how fizzarozzie are a bright, hopeful reflection of what stoliz could be, striker's past relationship could serve to show how rotten, discriminatory or fetishistic a relationship between a low rank demon and a royal could be..... an angle i'd wholeheartedly welcome!!

I'm glad you liked my analysis, to answer your question, I'm not dedicated to any given theory about Striker's past, though there are 2 that I keep coming back to from time to time.

One is that his family was displaced from their rural home and that this directly lead to their premature deaths, the main evidence is that his family is the most likely thing for him to be referring to when talking about having things taken away, maybe he even has some slight sympathy/empathy for Stella if he was particularly close with his own mother.

The other one, which has some overlap with the first, is that one of his parents, likely his dad, is a noble and Striker being his illegitimate child lead to him abandoning Striker's mother to protect his image and publicly denouncing her if she spoke out about it, maybe even eventually having her "taken care of". I've seen an extreme version of this propose his father is Leviathan, hence why the show is taking it's time to address Envy as a ring. Some evidence is that he's literally green-eyed (a term for being jealous/envious) and his serpent features, though I don't really buy this version of the theory.

I also don't really buy the "royal ex" theory, I see where it's coming from but I just don't see it being right. There's better things to parallel stolitz with.

Actually, the first show in the trilogy, "A Very Potter Musical" has a duet between Quirrel and Voldemort that sounds almost like it was written for Series!Stolas and Pilot!Stolas. LINK

I'm not sure how familiar, if at all, you are with Team Starkid. There a musical theatre group who got their start with a trilogy of Harry Potter parody musicals while still in college. I bring them up because I recently rewatched a bunch of their shows and started thinking about a potential HB fan-musical with the basic premise of Stolas NOT getting woobififed and also some other changes to characters, either to make up for the flaws in the series writing or to mock said flaws.

One idea I had was Stolas using his higher rank to force Stella (and Octavia, when she chooses to be with her mother) into hiding, possibly with Striker. Partly for character exploration potential between the three and partly for strella because I'm am feral for them.

I was hoping to get some ideas, even if individual or running gags, from you :)

Of course hon bounce ideas off me anytime :3

I haven’t heard of that before. Nothing better than some cathartic satire. I am also interested in the Strella but I wouldn’t want to keep pushing the Goetia x Imp thing it seems a bit excessive now

I imagine Moxxie being the first to point it out and Blitz tells him off but later tells Stolas that Mox is right and they need a proper gig soon but Stolas just gives him a bunch of money and gaslights him about it.

Also, you know that I wrote this right before going to sleep when I forgot that the word "fulfillment" exists. The fuck is wrong with me?

Now Some More Stuff!!!

Every time Octavia tries to talk to Stolas he interrupts her before she can finish a sentence and reacts to what he assumes she was going to say, which is, of course, something that assumes she agrees with his self-pitying view of his life.

An inverse of the ending of Seeing Stars, as in, Loona's occasional aggression towards the rest of the team is resolved (at least partly) through her interaction both with Blitz and with Via.

I'm still working out the Harvest Moon Festival/Pain Games equivalent, but the idea is that Striker participates to act as a diversion for IMP and potentially someone else who could be after Stella and Octavia, speaking of them, they could be disguised as imps in this segment. Maybe Blitz and Moxxie compete together since Striker taunted them both (I like the idea that it takes Striker some time to respect either of them, making him slightly more dynamic and helping with Moxxie's arc and his dynamic with Blitz)

To clarify the last one, the mid segment of the show would have Blitz slowly realizing he's being exploited while he and the team search for the mother daughter duo since Stolas passive-aggressively threatened and/or guilt-tripped Blitz into feeling he has to find them.

Also, to give Mills some actual characterization and more chemistry with Moxxie, she has MAD shop skills, customizing IMP's weapons and later her family tell her she can't be in the Pain Games... Because she' been chosen as the lead organizer, which in Wrath's super rugged nature, means she literally constructs all the event courses herself.

More Song Ideas!

A comedy ensemble number with all of IMP in act 1 with them doing a regular hit.

Another comedic song with Blitz, Moxxie and Striker in the pain games, maybe Millie's family joins in during the chorus. While still comedic, this one would mainly develop Moxxie and to lesser extent, the other guys.

Of course, Stolas has a proper villain song (one that starts with him pouting that Via is mad that he forgot something she was excited for, Azatoth's Tears or otherwise). The song itself would have Stolas lament relatively small things in his life while saying that "Blitzy" makes him forget them, tacitly admitting that he views Octavia as a problem, and how he's happy that Blitz is his and his alone, and that that's perfectly just since it makes up for his own personal suffering.

Both a song and a joke, Moxxie tries to sing to Millie multiple times and gets interrupted each time. However, he only starts the song once, every other time he sings it it's actually the next verse, a non-live viewer could piece it together and the song could be a bonus on the soundtrack.

Rest assured, there will be more to come.

More ideas for "Helluva A Rewritten Musical":

Jokes, Running Gags and Story Moments With A Comedic Twist :

After the Ozzie's equivalent Stolas' actor would wear a different wig after every two scenes, with each having more grey feathers than the last, until, by his final scene, all his hair/feathers are grey

The first time we see the M&Ms is their morning routine, Millie enters the scene first, with curlers/rollers in her hair, then Moxxie enter with curlers/rollers in his hair AND in his sideburns.

Wally appears a few times, he's exactly the same as in the show but has a much deeper voice to contrast with the high-pitched, scratchy voice Don Darryl Rivera does in the actual series

We only see Andre once, during a half and half split of the stage to show his phone conversation with Stella, later, in hiding (Yes, I'm going with that idea for the time being), Via asks why they could ask him for help and Stella reveals he got in hot water for drunkenly hitting on one of his cousins.

If we go down the Strella route, we could have some early bonding when Striker hisses at a minor frustration and Stella very obviously finds it attractive, because both snakes and swans hiss as a defense mechanism. In response to this Octavia let's out a sharp exhale that ends up sounding like a hoot.

A member of IMP pointing out how little actual hits they've been carrying out since getting pulled into the divorce drama, poking fun at the show abandoning it's original premise, maybe build on it by having Stolas be the only character who doesn't seen an issue with that.

Song Ideas (The Good Stuff):

An opening number or at least early song where Blitz sings about how, by running his own business, he has freedom to make good life for himself. The song would immediately be followed by some form of bad news.

A flashback duet between young Stolas and Stella, meeting for the first time, promising to make their situation work. Stella's lyrics make it clear she hopes that she will find some form of personal fufilled-ness in the relationship, while Stolas' make it clear that he plans on taking every chance to distract himself from what will be his family.

Striker having a song where he tries to console Via, because he can tell that she is in no way personally responsible for the shit she's going through, big stepdad energy, slightly more comedic elements towards the end of the song. This would play into Striker's arc, realizing that not all royals ae truly malicious and finding sympathy for them because he comes to view them as too sheltered for their own good.

A climactic duet between Striker and Blitz, after Blitz realizes that Stolas is a complete shitsack, during the song they're fighting over a blessed revolver to see who gets to kill the jizz-soaked feather duster.

That's all I got for now, more to come :D

Very beautiful. Your mind. Your vision.

Especially the meta commentary I NEED that scene to happen

The part of HRM I've had the most fun developing

There's a particular part of Helluva Rewritten Musical that I've been thinking about more than any other. That being the sequence that focuses on Stella and Octavia's relationship and personal issues while their hiding out in Wrath.

Some of this I've only previously shared with @pinkandpurple360 , whose insights about HB's writing and general willingness to help me develop these ideas has been invaluable to HRM as a whole, and especially to this scene.

Bare in mind this is just an early outline, though I plan to keep the specific lines of dialogue as I'm really proud of it.

The sequence begins with Stella, Octavia and Striker entering a hideout Striker had prepared for the Goetia women while they were in hiding with him as their bodyguard. Towards the back of the stage there's a door slightly to the left and a couch slightly to the right.

Stella is very anxious as she recognized Blitz in an earlier scene and decides that for the remainder of their "exile" that she and Via have to disguise themselves as lower rank hellborns, something Octavia says she doesn't know how to do.

This revelation infuriates Stella as she lashes out in indignation that Via can't manifest a disguise, she says she'll explain it to Via later but that in the meantime, Striker has to find a succubus and off them for their asmodean crystal.

Striker nods and exits the scene.

Here Octavia reveals that she tried to learn on her own but couldn't get the hang of it and, due to his self-absorbed and neglectful nature, Stolas never actually helped her manifest a disguise, something Stella herself only learnt by watching her brother practice, as typically only a Goetia's heir is taught the skill.

Stella yells at Via that she needs a moment to collect her thoughts and that they'll back to the disguise talk later.

Stella then goes into another room in the hideout, something depicted with Stella walking through the door at the back of the stage as Via exits stage right, then Stella re-enters through the same door, representing her entering another room and the scene changing.

Here the show arrives at Stella's solo number, wherein she vents her frustration that she's never been listened to despite being a noble, during the song she comes to the realization she isn't frustrated that she hasn't been listened to, but that she's never had meaningful agency over what matters to her (her status, the respect of the Ars Goetia, etc...), except for her relationship with Via.

I've yet to come up with any satisfactory titles for Stella's song, so any suggestions would be greatly appreciated.

After the song ends Stella decides that she has to smooth things over with Via. The scene changes in the same way as before, this time, while Stella is behind the door Via enters stage right, sitting down on the couch, frustrated trying to manifest a disguise. Her attempts are represented by brief moments of purple lighting illuminating her corner of the stage, that's when Stella enters and sit down next to her. The lights only illuminate there half of the stage.

The two talk about the frustration they've been suppressing for as long as they've been living with Stolas, which unfortunately for Via, includes her whole life up to that point, she also expresses anger at her mother and how distant she's been during the affair drama. This gets Stella emotional and prompts this exchange between them:

Stella: I just hope you can understand, Dear. All I've ever had is my place in the world, and now-now I've lost my own and cost you yours. * Stella rests her head in one of her hands as the other stays between her and Via on the couch* What could I ever have now? *Stella's voice is shaky and she clearly feels she's lost everything, she's on the verge of tears*

There's a moment of silence between the two

Octavia: *Takes hold of Stella's free hand and gently moves it over her chest* A place in my heart, mom. You'll always have that. *She lets go of her mother's hand but Stella holds in there for a moment before she slowly pulls it back*

Octavia starts leaning in for a hug but Stella quickly hugs her first, Via is surprised but than happy to finally see her mom feel something positive again.

The lights over the other half of the stage light up showing Striker holding the crystal he was sent to get, he's seen at least part of their exchange, and though he tries to hide it, has obviously been emotionally impacted by it himself.

Striker: I-uh-I ha- *His voice is noticeably warbly before he clears his throat* I have the crystal, ma'am. *He holds it up and pauses for a moment while processing the emotions brought on from seeing such a loving moment from people he'd dismissed as emotionally vacant and vapid husks up until that point* Jus' thought ya should know.

Stella thanks him but also makes a comment about how Via likely won't be using it very long. She than asks Via to remind her of what part of the disguise spell she was having trouble with.

The stage goes dark as everyone and everything is prepared for the next scene.

And that's where the scene stands for now. Really hope someone enjoys reading this as much as I did writing it, there's more HRM to come so keep your eyes peeled! And remember that I'm accepting asks about the project!

Any thoughts on the revised version in comparison to the version we discussed, @pinkandpurple360?

I'd really appreciate any feedback. :)

The part of HRM I've had the most fun developing

There's a particular part of Helluva Rewritten Musical that I've been thinking about more than any other. That being the sequence that focuses on Stella and Octavia's relationship and personal issues while their hiding out in Wrath.

Some of this I've only previously shared with @pinkandpurple360 , whose insights about HB's writing and general willingness to help me develop these ideas has been invaluable to HRM as a whole, and especially to this scene.

Bare in mind this is just an early outline, though I plan to keep the specific lines of dialogue as I'm really proud of it.

The sequence begins with Stella, Octavia and Striker entering a hideout Striker had prepared for the Goetia women while they were in hiding with him as their bodyguard. Towards the back of the stage there's a door slightly to the left and a couch slightly to the right.

Stella is very anxious as she recognized Blitz in an earlier scene and decides that for the remainder of their "exile" that she and Via have to disguise themselves as lower rank hellborns, something Octavia says she doesn't know how to do.

This revelation infuriates Stella as she lashes out in indignation that Via can't manifest a disguise, she says she'll explain it to Via later but that in the meantime, Striker has to find a succubus and off them for their asmodean crystal.

Striker nods and exits the scene.

Here Octavia reveals that she tried to learn on her own but couldn't get the hang of it and, due to his self-absorbed and neglectful nature, Stolas never actually helped her manifest a disguise, something Stella herself only learnt by watching her brother practice, as typically only a Goetia's heir is taught the skill.

Stella yells at Via that she needs a moment to collect her thoughts and that they'll back to the disguise talk later.

Stella then goes into another room in the hideout, something depicted with Stella walking through the door at the back of the stage as Via exits stage right, then Stella re-enters through the same door, representing her entering another room and the scene changing.

Here the show arrives at Stella's solo number, wherein she vents her frustration that she's never been listened to despite being a noble, during the song she comes to the realization she isn't frustrated that she hasn't been listened to, but that she's never had meaningful agency over what matters to her (her status, the respect of the Ars Goetia, etc...), except for her relationship with Via.

I've yet to come up with any satisfactory titles for Stella's song, so any suggestions would be greatly appreciated.

After the song ends Stella decides that she has to smooth things over with Via. The scene changes in the same way as before, this time, while Stella is behind the door Via enters stage right, sitting down on the couch, frustrated trying to manifest a disguise. Her attempts are represented by brief moments of purple lighting illuminating her corner of the stage, that's when Stella enters and sit down next to her. The lights only illuminate there half of the stage.

The two talk about the frustration they've been suppressing for as long as they've been living with Stolas, which unfortunately for Via, includes her whole life up to that point, she also expresses anger at her mother and how distant she's been during the affair drama. This gets Stella emotional and prompts this exchange between them:

Stella: I just hope you can understand, Dear. All I've ever had is my place in the world, and now-now I've lost my own and cost you yours. * Stella rests her head in one of her hands as the other stays between her and Via on the couch* What could I ever have now? *Stella's voice is shaky and she clearly feels she's lost everything, she's on the verge of tears*

There's a moment of silence between the two

Octavia: *Takes hold of Stella's free hand and gently moves it over her chest* A place in my heart, mom. You'll always have that. *She lets go of her mother's hand but Stella holds in there for a moment before she slowly pulls it back*

Octavia starts leaning in for a hug but Stella quickly hugs her first, Via is surprised but than happy to finally see her mom feel something positive again.

The lights over the other half of the stage light up showing Striker holding the crystal he was sent to get, he's seen at least part of their exchange, and though he tries to hide it, has obviously been emotionally impacted by it himself.

Striker: I-uh-I ha- *His voice is noticeably warbly before he clears his throat* I have the crystal, ma'am. *He holds it up and pauses for a moment while processing the emotions brought on from seeing such a loving moment from people he'd dismissed as emotionally vacant and vapid husks up until that point* Jus' thought ya should know.

Stella thanks him but also makes a comment about how Via likely won't be using it very long. She than asks Via to remind her of what part of the disguise spell she was having trouble with.

The stage goes dark as everyone and everything is prepared for the next scene.

And that's where the scene stands for now. Really hope someone enjoys reading this as much as I did writing it, there's more HRM to come so keep your eyes peeled! And remember that I'm accepting asks about the project!

Trying to make Akinator guess Stella's friends

attempt 1:

A valiant effort.

attempt 2:

Again, not quite.

attempt 3:

Sudden detour, also, can anyone tell me where this art is from?

Apparently, he gave up.

Honestly, I agree with Viv on this front just for the first point. Striker being anti-capitalist is more than enough to make me hate him.

If you're surprised by this, you'd do well to remember I kin the king of greed himself, I'm the most diehard capitalist you'll ever meet.

Striker: anti-capitalist, anti-royalty, anti-billionaire, anti-oppression cowboy

Viv: let’s make him ridiculously evil and like a little rat man cause he needs to hurt more for his sins!

Stolas: a rich white royal pig who literally oppresses peasants and chokes out his butlers like they are toys.

Viv: aww poor baby baby

She’s pretty much a millionaire herself so this doesn’t surprise me…stolas literally abuses and exploits all four of IMP for his perverted bird needs or every personal problem he has, and if this isn’t enough to make you hate him nothing will. Idc if Millie and moxie are written to love stolas for no reason whatsoever it makes no sense.

Striker is barely evil, everything he says is true. People just can’t handle it.

The idea I have so far explores Striker's general values, why they lead to him disliking royals and ultimately realizing that not all royals are as bad as he thinks and that there's nuance to everyone.

Petition to do a Helluva Boss fan re-write where we give Striker and Stella actual personalities, address Blitzø's trauma in a way that makes sense, and actually have IMP be central to the plot

There's more, obviously, but I hope you get what I mean 🤙🏽💛

-🌱

Of course I do. And I think it would fix so much if IMP (just Millie and Blitzø) secretly kill other imps hellhounds and hellborn but keep it on the very downlow. That’s where the money really comes from. By day the four have some fun and Millie and blitz get to be carefree and happy. But by night is the real and unspeakable dark shit only the two of them are hardened enough to be capable of. They shield moxxie and Loona from this.

Have Blitzs trauma be similar but have it’s first introduction not be a x3 speed flashback where no actual dialogue is heard…and let it be the season 2 premiere. His story has been planned from the very start and stolas pissbaby story was based on fanart from like a year prior

Hate to disappoint, but I have no intention of painting Striker as being in the right. This anti-capitalist will have his pro-capitalist redemption arc and that's that. Of course I'm phrasing it for comedic effect, but that's the basic gist of what I plan to do with the character.

Petition to do a Helluva Boss fan re-write where we give Striker and Stella actual personalities, address Blitzø's trauma in a way that makes sense, and actually have IMP be central to the plot

There's more, obviously, but I hope you get what I mean 🤙🏽💛

-🌱

Of course I do. And I think it would fix so much if IMP (just Millie and Blitzø) secretly kill other imps hellhounds and hellborn but keep it on the very downlow. That’s where the money really comes from. By day the four have some fun and Millie and blitz get to be carefree and happy. But by night is the real and unspeakable dark shit only the two of them are hardened enough to be capable of. They shield moxxie and Loona from this.

Have Blitzs trauma be similar but have it’s first introduction not be a x3 speed flashback where no actual dialogue is heard…and let it be the season 2 premiere. His story has been planned from the very start and stolas pissbaby story was based on fanart from like a year prior

Striker is the bad guy because he's a self righteous, narcissistic, hypocritical, sleazy, stubborn and two-faced bully.

I get what you're going for with "Viv is higher class so her writing is subconsciously propagandistic", I don't really agree with it, but I get it. That doesn't change the fact that Striker is still a properly loathsome character. And yes, I did just compliment Vivienne's writing of a villain.

Striker works well because he's basically Blitz with Stol-ass' delusions of moral superiority and victim complex.

(Absolutely no hate to this person. I covered their name cause I don't want to seem like I'm targeting them cause I'm not.)

Yes. This is the problem. Alastor, a human sinner, I genuinely more malicious and evil then THE SEVEN DEADLY SINS.

- ⭐️StarClown⭐️

But also, there's the exact opposite problem (one society seems to be turning a blind eye to, for the most part), of people doing destructive and stupid things under the guise of righting an injustice they claim to be victims of, case and point, Striker.

From the actual way he acts, it's clear he doesn't give a shit about hellborn-goetia conflicts, but just resents anyone with a more comfortable life than him and touts a supposed victimization as a way to keep other people, but mostly himself, from seeing past his bravado and realizing he's a slimy, shallow, two-faced, hateful, egotistical and ultimately worthless bully.

I know I got off topic, but I just really love the writing of Striker's victim complex and his general shittyness, he's a great villain to hate.

I'm sorry, but I just can't help but find this incredibly funny. Stolas? A dad trying his best? Pfffft. Ya, he's totally trying his best when he yells at his wife in front of his own daughter, neglects st. daughter multiple times, and pays more attention to an Imp than her daughter.

But ya, he's totally a good dad. Also depressed???? Since when did Stolas have depression???